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  Yvonne Todd, Kushana Bush, John Ward Knox, Peter Madden, candles by Rohan Wealleans, and Greek antiquities   Aotearoa Art Fair 2022 16 November - 20 November

Yvonne Todd, Kushana Bush, John Ward Knox, Peter Madden, candles by Rohan Wealleans, and Greek antiquities
Aotearoa Art Fair 2022
16 November - 20 November

 Yvonne Todd  Juniper  2022 C-type print from 4x5 transparency film 1200 x 950 mm Edition of 3 + 2 artist proofs

Yvonne Todd
Juniper
2022
C-type print from 4x5 transparency film
1200 x 950 mm
Edition of 3 + 2 artist proofs

 Yvonne Todd  Petronella  2022 C-type print from 4x5 transparency film  1200 x 950mm Edition of 3 + 2 artist proofs

Yvonne Todd
Petronella
2022
C-type print from 4x5 transparency film
1200 x 950mm
Edition of 3 + 2 artist proofs

 Yvonne Todd  Smoke Soap Hand  2001 C-type print from 120 transparency film  440 x 355mm Edition of 3 + 2 artist proofs

Yvonne Todd
Smoke Soap Hand
2001
C-type print from 120 transparency film
440 x 355mm
Edition of 3 + 2 artist proofs

 Yvonne Todd  Sparse flower draped with chain  1999 C-type print from 120 transparency film 440 x 355mm Edition of 3 + 2 artist proofs

Yvonne Todd
Sparse flower draped with chain
1999
C-type print from 120 transparency film
440 x 355mm
Edition of 3 + 2 artist proofs

 Kushana Bush  Alalagmos  2022 Gouache and watercolour on paper 510 x 590mm (framed)

Kushana Bush
Alalagmos
2022
Gouache and watercolour on paper
510 x 590mm (framed)

 Kushana Bush  Alalagmos  2022 Gouache and watercolour on paper 510 x 590mm (framed)

Kushana Bush
Alalagmos
2022
Gouache and watercolour on paper
510 x 590mm (framed)

 Kushana Bush  Geriatric Primate  2022 Gouache and watercolour on paper 510 x 590mm (framed)

Kushana Bush
Geriatric Primate
2022
Gouache and watercolour on paper
510 x 590mm (framed)

 Kushana Bush  Geriatric Primate  2022 Gouache and watercolour on paper 510 x 590mm (framed)

Kushana Bush
Geriatric Primate
2022
Gouache and watercolour on paper
510 x 590mm (framed)

 Kushana Bush  Yogibogey  2022 Gouache and watercolour on paper 510 x 590mm (framed)

Kushana Bush
Yogibogey
2022
Gouache and watercolour on paper
510 x 590mm (framed)

 Kushana Bush  Yogibogey  2022 Gouache and watercolour on paper 510 x 590mm (framed)

Kushana Bush
Yogibogey
2022
Gouache and watercolour on paper
510 x 590mm (framed)

 Kushana Bush  Gorgoneion Swaddle  2022 Gouache and watercolour on paper  510 x 590 (framed)

Kushana Bush
Gorgoneion Swaddle
2022
Gouache and watercolour on paper
510 x 590 (framed)

 Kushana Bush  Gorgoneion Swaddle  2022 Gouache and watercolour on paper  510 x 590 (framed)

Kushana Bush
Gorgoneion Swaddle
2022
Gouache and watercolour on paper
510 x 590 (framed)

 John Ward Knox  No title (iv)    2022 oil and calico and silk 500 x 500mm

John Ward Knox
No title (iv)
2022
oil and calico and silk
500 x 500mm

 John Ward Knox  No title (iv)  (detail) 2022 oil and calico and silk 500 x 500mm

John Ward Knox
No title (iv) (detail)
2022
oil and calico and silk
500 x 500mm

 John Ward Knox  No title (v)  2022 oil and calico and silk 500 x 500mm

John Ward Knox
No title (v)
2022
oil and calico and silk
500 x 500mm

 John Ward Knox  No title (v)  (detail) 2022 oil and calico and silk 500 x 500mm

John Ward Knox
No title (v) (detail)
2022
oil and calico and silk
500 x 500mm

 John Ward Knox  No title (vi)  2022 oil and calico and silk 500 x 500mm

John Ward Knox
No title (vi)

2022
oil and calico and silk
500 x 500mm

 John Ward Knox  No title (vi)  (detail) 2022 oil and calico and silk 500 x 500mm

John Ward Knox
No title (vi) (detail)
2022
oil and calico and silk
500 x 500mm

 John Ward Knox   No title (ix)  2022 oil and calico and silk  500 x 500mm

John Ward Knox
No title (ix)
2022
oil and calico and silk
500 x 500mm

 John Ward Knox   No title (ix)  (detail) 2022 oil and calico and silk  500 x 500mm

John Ward Knox
No title (ix) (detail)
2022
oil and calico and silk
500 x 500mm

 Peter Madden  All our yesterdays  2022 inkjet photo collage and paint on wood 835 x 635mm

Peter Madden
All our yesterdays
2022
inkjet photo collage and paint on wood
835 x 635mm

 Peter Madden  All our yesterdays  (detail) 2022 inkjet photo collage and paint on wood 835 x 635mm

Peter Madden
All our yesterdays (detail)
2022
inkjet photo collage and paint on wood
835 x 635mm

 Peter Madden  Self Portrait as a clinamen  2022 inkjet photo collage and paint on wood 835 x 635mm

Peter Madden
Self Portrait as a clinamen
2022
inkjet photo collage and paint on wood
835 x 635mm

 Peter Madden  Self Portrait as a clinamen  (detail) 2022 inkjet photo collage and paint on wood 835 x 635mm

Peter Madden
Self Portrait as a clinamen (detail)
2022
inkjet photo collage and paint on wood
835 x 635mm

  Apulian red-figure lekanis from Darius-Underworld Workshop   Late Classical period, ca. 320 B.C.    Provenance: E.F. Collection, Germany.    Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a

Apulian red-figure lekanis from Darius-Underworld Workshop
Late Classical period, ca. 320 B.C.

Provenance: E.F. Collection, Germany.
Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a kind of head covering). A lekanis was a flat covered dish with handles, that were apparently filled with food and gifts to be given to brides.
The Darius Painter and his successor, the Underworld Painter, were the most prominent of the Apulian red-figure vase painters. These painters are thought to have worked out of the same workshop, which produced a prolific number of vases in this style.

  Apulian red-figure lekanis from Darius-Underworld Workshop   Late Classical period, ca. 320 B.C.   Provenance: E.F. Collection, Germany.   Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a k

Apulian red-figure lekanis from Darius-Underworld Workshop
Late Classical period, ca. 320 B.C.

Provenance: E.F. Collection, Germany.
Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a kind of head covering). A lekanis was a flat covered dish with handles, that were apparently filled with food and gifts to be given to brides.
The Darius Painter and his successor, the Underworld Painter, were the most prominent of the Apulian red-figure vase painters. These painters are thought to have worked out of the same workshop, which produced a prolific number of vases in this style.

  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearin

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearing a sakkos (a type of head covering), in between tendrils and flowers.
Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearin

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearing a sakkos (a type of head covering), in between tendrils and flowers. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

  Campanian Black-Glazed Guttus   Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania  135 x 150 x 115mm    Provenance: L.J. collection, Netherlands; Private collection, USA.  Campanian black-glazed guttus made from toned clay

Campanian Black-Glazed Guttus
Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania
135 x 150 x 115mm

Provenance: L.J. collection, Netherlands; Private collection, USA. Campanian black-glazed guttus made from toned clay with ribbed body and ring handle. Decorated with moulded medallion of a satyr head with goat horns. Satyrs were part of the Thiasus, or entourage of the god Dionysus. The surface is partially rubbed, but the guttus is otherwise intact. Western Greek is a term which refers to objects produced in Greek colonies in Southern Italy. These small vessels were used to slowly pour liquid in drops — probably in the context of religious rituals such as sacrifices.

  Campanian Black-Glazed Guttus   Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania  135 x 150 x 115mm    Provenance: L.J. collection, Netherlands; Private collection, USA.   Campanian black-glazed guttus made from toned cla

Campanian Black-Glazed Guttus
Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania
135 x 150 x 115mm

Provenance: L.J. collection, Netherlands; Private collection, USA.
Campanian black-glazed guttus made from toned clay with ribbed body and ring handle. Decorated with moulded medallion of a satyr head with goat horns. Satyrs were part of the Thiasus, or entourage of the god Dionysus. The surface is partially rubbed, but the guttus is otherwise intact. Western Greek is a term which refers to objects produced in Greek colonies in Southern Italy. These small vessels were used to slowly pour liquid in drops — probably in the context of religious rituals such as sacrifices.

  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with a band of tendrils.   Gnat

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with a band of tendrils.
Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearin

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearing a sakkos (a type of head covering), in between tendrils and flowers. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

  Three miniature olpai of Gnathian ware   Magna Graecia, 4th - 3rd century B.C.      Provenance: Private collection, Germany.   An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Hel

Three miniature olpai of Gnathian ware
Magna Graecia, 4th - 3rd century B.C.


Provenance: Private collection, Germany.
An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

  Three miniature olpai of Gnathian ware   Magna Graecia, 4th - 3rd century B.C.    Provenance: Private collection, Germany.   An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Helle

Three miniature olpai of Gnathian ware
Magna Graecia, 4th - 3rd century B.C.

Provenance: Private collection, Germany.
An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

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_DSF1001web.jpg
_DSF1002web.jpg

Yvonne Todd, Kushana Bush, John Ward Knox, Peter Madden, candles by Rohan Wealleans, and Greek antiquities
Aotearoa Art Fair 2022
16 November - 20 November

Yvonne Todd
Juniper
2022
C-type print from 4x5 transparency film
1200 x 950 mm
Edition of 3 + 2 artist proofs

Yvonne Todd
Petronella
2022
C-type print from 4x5 transparency film
1200 x 950mm
Edition of 3 + 2 artist proofs

Yvonne Todd
Smoke Soap Hand
2001
C-type print from 120 transparency film
440 x 355mm
Edition of 3 + 2 artist proofs

Yvonne Todd
Sparse flower draped with chain
1999
C-type print from 120 transparency film
440 x 355mm
Edition of 3 + 2 artist proofs

Kushana Bush
Alalagmos
2022
Gouache and watercolour on paper
510 x 590mm (framed)

Kushana Bush
Alalagmos
2022
Gouache and watercolour on paper
510 x 590mm (framed)

Kushana Bush
Geriatric Primate
2022
Gouache and watercolour on paper
510 x 590mm (framed)

Kushana Bush
Geriatric Primate
2022
Gouache and watercolour on paper
510 x 590mm (framed)

Kushana Bush
Yogibogey
2022
Gouache and watercolour on paper
510 x 590mm (framed)

Kushana Bush
Yogibogey
2022
Gouache and watercolour on paper
510 x 590mm (framed)

Kushana Bush
Gorgoneion Swaddle
2022
Gouache and watercolour on paper
510 x 590 (framed)

Kushana Bush
Gorgoneion Swaddle
2022
Gouache and watercolour on paper
510 x 590 (framed)

John Ward Knox
No title (iv)
2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (iv) (detail)
2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (v)
2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (v) (detail)
2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (vi)

2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (vi) (detail)
2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (ix)
2022
oil and calico and silk
500 x 500mm

John Ward Knox
No title (ix) (detail)
2022
oil and calico and silk
500 x 500mm

Peter Madden
All our yesterdays
2022
inkjet photo collage and paint on wood
835 x 635mm

Peter Madden
All our yesterdays (detail)
2022
inkjet photo collage and paint on wood
835 x 635mm

Peter Madden
Self Portrait as a clinamen
2022
inkjet photo collage and paint on wood
835 x 635mm

Peter Madden
Self Portrait as a clinamen (detail)
2022
inkjet photo collage and paint on wood
835 x 635mm

Apulian red-figure lekanis from Darius-Underworld Workshop
Late Classical period, ca. 320 B.C.

Provenance: E.F. Collection, Germany.
Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a kind of head covering). A lekanis was a flat covered dish with handles, that were apparently filled with food and gifts to be given to brides.
The Darius Painter and his successor, the Underworld Painter, were the most prominent of the Apulian red-figure vase painters. These painters are thought to have worked out of the same workshop, which produced a prolific number of vases in this style.

Apulian red-figure lekanis from Darius-Underworld Workshop
Late Classical period, ca. 320 B.C.

Provenance: E.F. Collection, Germany.
Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a kind of head covering). A lekanis was a flat covered dish with handles, that were apparently filled with food and gifts to be given to brides.
The Darius Painter and his successor, the Underworld Painter, were the most prominent of the Apulian red-figure vase painters. These painters are thought to have worked out of the same workshop, which produced a prolific number of vases in this style.

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearing a sakkos (a type of head covering), in between tendrils and flowers.
Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearing a sakkos (a type of head covering), in between tendrils and flowers. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

Campanian Black-Glazed Guttus
Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania
135 x 150 x 115mm

Provenance: L.J. collection, Netherlands; Private collection, USA. Campanian black-glazed guttus made from toned clay with ribbed body and ring handle. Decorated with moulded medallion of a satyr head with goat horns. Satyrs were part of the Thiasus, or entourage of the god Dionysus. The surface is partially rubbed, but the guttus is otherwise intact. Western Greek is a term which refers to objects produced in Greek colonies in Southern Italy. These small vessels were used to slowly pour liquid in drops — probably in the context of religious rituals such as sacrifices.

Campanian Black-Glazed Guttus
Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania
135 x 150 x 115mm

Provenance: L.J. collection, Netherlands; Private collection, USA.
Campanian black-glazed guttus made from toned clay with ribbed body and ring handle. Decorated with moulded medallion of a satyr head with goat horns. Satyrs were part of the Thiasus, or entourage of the god Dionysus. The surface is partially rubbed, but the guttus is otherwise intact. Western Greek is a term which refers to objects produced in Greek colonies in Southern Italy. These small vessels were used to slowly pour liquid in drops — probably in the context of religious rituals such as sacrifices.

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with a band of tendrils.
Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

Apulian vase of Gnathian ware
Late 4th century B.C.

Provenance: Private collection, Germany.
Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearing a sakkos (a type of head covering), in between tendrils and flowers. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

Three miniature olpai of Gnathian ware
Magna Graecia, 4th - 3rd century B.C.


Provenance: Private collection, Germany.
An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

Three miniature olpai of Gnathian ware
Magna Graecia, 4th - 3rd century B.C.

Provenance: Private collection, Germany.
An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Hellenistic ware, typically characterised by yellow, red and white decorations overlaid on a black surface. This type of ceramic takes its name from Gnathia, an ancient Greek colony located in what is now modern day Eganzia, south-east Italy, where much of this ceramic type was discovered.

  Yvonne Todd, Kushana Bush, John Ward Knox, Peter Madden, candles by Rohan Wealleans, and Greek antiquities   Aotearoa Art Fair 2022 16 November - 20 November
 Yvonne Todd  Juniper  2022 C-type print from 4x5 transparency film 1200 x 950 mm Edition of 3 + 2 artist proofs
 Yvonne Todd  Petronella  2022 C-type print from 4x5 transparency film  1200 x 950mm Edition of 3 + 2 artist proofs
 Yvonne Todd  Smoke Soap Hand  2001 C-type print from 120 transparency film  440 x 355mm Edition of 3 + 2 artist proofs
 Yvonne Todd  Sparse flower draped with chain  1999 C-type print from 120 transparency film 440 x 355mm Edition of 3 + 2 artist proofs
 Kushana Bush  Alalagmos  2022 Gouache and watercolour on paper 510 x 590mm (framed)
 Kushana Bush  Alalagmos  2022 Gouache and watercolour on paper 510 x 590mm (framed)
 Kushana Bush  Geriatric Primate  2022 Gouache and watercolour on paper 510 x 590mm (framed)
 Kushana Bush  Geriatric Primate  2022 Gouache and watercolour on paper 510 x 590mm (framed)
 Kushana Bush  Yogibogey  2022 Gouache and watercolour on paper 510 x 590mm (framed)
 Kushana Bush  Yogibogey  2022 Gouache and watercolour on paper 510 x 590mm (framed)
 Kushana Bush  Gorgoneion Swaddle  2022 Gouache and watercolour on paper  510 x 590 (framed)
 Kushana Bush  Gorgoneion Swaddle  2022 Gouache and watercolour on paper  510 x 590 (framed)
 John Ward Knox  No title (iv)    2022 oil and calico and silk 500 x 500mm
 John Ward Knox  No title (iv)  (detail) 2022 oil and calico and silk 500 x 500mm
 John Ward Knox  No title (v)  2022 oil and calico and silk 500 x 500mm
 John Ward Knox  No title (v)  (detail) 2022 oil and calico and silk 500 x 500mm
 John Ward Knox  No title (vi)  2022 oil and calico and silk 500 x 500mm
 John Ward Knox  No title (vi)  (detail) 2022 oil and calico and silk 500 x 500mm
 John Ward Knox   No title (ix)  2022 oil and calico and silk  500 x 500mm
 John Ward Knox   No title (ix)  (detail) 2022 oil and calico and silk  500 x 500mm
 Peter Madden  All our yesterdays  2022 inkjet photo collage and paint on wood 835 x 635mm
 Peter Madden  All our yesterdays  (detail) 2022 inkjet photo collage and paint on wood 835 x 635mm
 Peter Madden  Self Portrait as a clinamen  2022 inkjet photo collage and paint on wood 835 x 635mm
 Peter Madden  Self Portrait as a clinamen  (detail) 2022 inkjet photo collage and paint on wood 835 x 635mm
  Apulian red-figure lekanis from Darius-Underworld Workshop   Late Classical period, ca. 320 B.C.    Provenance: E.F. Collection, Germany.    Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a
  Apulian red-figure lekanis from Darius-Underworld Workshop   Late Classical period, ca. 320 B.C.   Provenance: E.F. Collection, Germany.   Apulian red-figure lekanis with decoration on the lid of palmettes, and two women’s heads wearing sakkos (a k
  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearin
  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearin
  Campanian Black-Glazed Guttus   Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania  135 x 150 x 115mm    Provenance: L.J. collection, Netherlands; Private collection, USA.  Campanian black-glazed guttus made from toned clay
  Campanian Black-Glazed Guttus   Hellenistic period, 2nd half of the 4th century BC, Western Greek, Campania  135 x 150 x 115mm    Provenance: L.J. collection, Netherlands; Private collection, USA.   Campanian black-glazed guttus made from toned cla
  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with a band of tendrils.   Gnat
  Apulian vase of Gnathian ware   Late 4th century B.C.     Provenance: Private collection, Germany.    Apulian vase of Gnathian ware. Black-glazed pottery with incised lines and painting in white and yellow. Decorated with the head of a woman wearin
  Three miniature olpai of Gnathian ware   Magna Graecia, 4th - 3rd century B.C.      Provenance: Private collection, Germany.   An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Hel
  Three miniature olpai of Gnathian ware   Magna Graecia, 4th - 3rd century B.C.    Provenance: Private collection, Germany.   An olpe was a vessel type used either as a wine jug or oil jug. Gnathian ware was one of the most widespread types of Helle
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_DSF0994web.jpg
_DSF0996web.jpg
_DSF0999web.jpg
_DSF1000web.jpg
_DSF1001web.jpg
_DSF1002web.jpg