Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.
Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.
Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Pet
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm
Pet (detail)
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm
Sisyphus
2021
Balata rubber, stained wood
1750 x 650 x 490mm (figure)
4300 x 2350 x 200mm (macrocarpa slab)
Printer
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm
Printer (detail)
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm
Atlas Holding the Universe on his Feet
2021
hand-blown glass with metal lustre
300 x 190 x 125mm
Wallpaper Gloves
2021
leather, watercolour paint
136 x 57 x 45mm
Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill
Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill
Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022
Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022
Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022
Installation view, Francis Uprtichard - Psychic Pusher
Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China, 2022
Slow Move
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm
Slow Move (detail)
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm
Forward Centaur
2019
Shibuichi (93% copper, 7% silver)
100 x 105 x 30mm
Boo Centaur
2019
Shibuichi (93% copper, 7% silver)
120 x 75 x 25mm
Jessie
2019
steel and foil armature, modelling material, fabric, paint
1170 x 480 x 230mm
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Good Morning Centaur
2019
wood-fired ceramic
150 x 190 x 90mm
Purple MG Jar
2019
wood-fired ceramic
280 x 165 x 165mm
5 Prawns with Nicholas Brandon
2019
wood-fired ceramic
570 x 300 x 300mm
4 Crabs with Nicholas Brandon
2019
wood-fired ceramic
460 x 460 x 460mm
2 Crabs and Prawn with Nicholas Brandon
2019
wood-fired ceramic
470 x 460 x 460mm
Shibuichi Rodin Centaur
2019
Shibuichi (93% copper, 7% silver)
96 x 66 x 24mm
Shibuichi Centaur (Garnet at knees)
2019
Shibuichi (93% copper, 7% silver), rough garnet
66 x 52 x 25mm
Serious One
2018
steel and foil armature, modelling material, fabric, glass beads, paint
1250 x 300 x 230mm
(Wetwang Slack, Barbican, London, 2018)
Wetwang Slack
2018
Barbican, London
curated by Leila Hasham
Wetwang Slack
2018
Barbican, London
curated by Leila Hasham
Fidget
2016
glass, fur, leather, buttons, fake pearls, plastic, modelling material
515 x 180 x 145mm
Squeaky
2016
glass, fur, leather, modelling material
510 x 150 x 150mm
Dark Resters
2015
ceramic, brass, atlantic stone, electrical components
910 x 1170 x 380 mm
George Dunford
2015
paper mache, resin, modelling material, nylon, synthetic hair, synthetic teeth
180 x 185 x 250mm
Grab
2013
modelling material, foil, wire and paint
1660 x 720 x 400mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)
Egypt Walk
2013
modelling material, paint, cloth and wire armature
1010 x 350 x 420mm
Tall Lichen
2013
bronze, glass
300 x 290 x 160mm
Land
2012
wardrobes, modelling material, watercolour
750 x 3540 x 1200mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)
Sleeping Pterodactyl
2011
sculpy, foil, wire, paint, wood
460 x 180 x 150mm
Ninny
2011
modeling material, foil, wire, paint and cloth
990 x 280 x 280mm (stand 870mm high)
Yellow Dancer
2009
modelling material. foil, wire, paint, cloth
490 x 395 x 245mm
(image courtesy of Anna Arca)
Pointer (Reacher)
2008
modelling material, steel, foil, paint
505 x 200 x 325mm
(image courtesy Bryan James)
Richard
2008
modelling material. foil, wire, paint, cloth
265 x 190 x 140mm
(image courtesy of Anna Arca)
Traveller's Collection
2003
mixed media
910 x 1530 x 610mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)
Planets in the Detrimental Signs (detail)
2003
compasses, polymer, wood, paint, resin, copper, found table
(Jealous Saboteurs, MUMA, Melbourne, 2016)
McCahon, 3rd Day
1998
found glasses case, plaster, oil
55 x 145 x 85mm
Fancy Drinkers
2019
Vintage glass beads, bronze, fabric
225 x 130 x 100mm
Matisse Blue Hat
2015
Fabric, card
170 x 90 x 110mm
Installation view of various hats at Aotearoa Art Fair, 2021
Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.
Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.
Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.
Pet
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm
Pet (detail)
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm
Sisyphus
2021
Balata rubber, stained wood
1750 x 650 x 490mm (figure)
4300 x 2350 x 200mm (macrocarpa slab)
Printer
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm
Printer (detail)
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm
Atlas Holding the Universe on his Feet
2021
hand-blown glass with metal lustre
300 x 190 x 125mm
Wallpaper Gloves
2021
leather, watercolour paint
136 x 57 x 45mm
Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill
Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill
Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022
Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022
Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022
Installation view, Francis Uprtichard - Psychic Pusher
Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China, 2022
Slow Move
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm
Slow Move (detail)
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm
Forward Centaur
2019
Shibuichi (93% copper, 7% silver)
100 x 105 x 30mm
Boo Centaur
2019
Shibuichi (93% copper, 7% silver)
120 x 75 x 25mm
Jessie
2019
steel and foil armature, modelling material, fabric, paint
1170 x 480 x 230mm
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel
Good Morning Centaur
2019
wood-fired ceramic
150 x 190 x 90mm
Purple MG Jar
2019
wood-fired ceramic
280 x 165 x 165mm
5 Prawns with Nicholas Brandon
2019
wood-fired ceramic
570 x 300 x 300mm
4 Crabs with Nicholas Brandon
2019
wood-fired ceramic
460 x 460 x 460mm
2 Crabs and Prawn with Nicholas Brandon
2019
wood-fired ceramic
470 x 460 x 460mm
Shibuichi Rodin Centaur
2019
Shibuichi (93% copper, 7% silver)
96 x 66 x 24mm
Shibuichi Centaur (Garnet at knees)
2019
Shibuichi (93% copper, 7% silver), rough garnet
66 x 52 x 25mm
Serious One
2018
steel and foil armature, modelling material, fabric, glass beads, paint
1250 x 300 x 230mm
(Wetwang Slack, Barbican, London, 2018)
Wetwang Slack
2018
Barbican, London
curated by Leila Hasham
Wetwang Slack
2018
Barbican, London
curated by Leila Hasham
Fidget
2016
glass, fur, leather, buttons, fake pearls, plastic, modelling material
515 x 180 x 145mm
Squeaky
2016
glass, fur, leather, modelling material
510 x 150 x 150mm
Dark Resters
2015
ceramic, brass, atlantic stone, electrical components
910 x 1170 x 380 mm
George Dunford
2015
paper mache, resin, modelling material, nylon, synthetic hair, synthetic teeth
180 x 185 x 250mm
Grab
2013
modelling material, foil, wire and paint
1660 x 720 x 400mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)
Egypt Walk
2013
modelling material, paint, cloth and wire armature
1010 x 350 x 420mm
Tall Lichen
2013
bronze, glass
300 x 290 x 160mm
Land
2012
wardrobes, modelling material, watercolour
750 x 3540 x 1200mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)
Sleeping Pterodactyl
2011
sculpy, foil, wire, paint, wood
460 x 180 x 150mm
Ninny
2011
modeling material, foil, wire, paint and cloth
990 x 280 x 280mm (stand 870mm high)
Yellow Dancer
2009
modelling material. foil, wire, paint, cloth
490 x 395 x 245mm
(image courtesy of Anna Arca)
Pointer (Reacher)
2008
modelling material, steel, foil, paint
505 x 200 x 325mm
(image courtesy Bryan James)
Richard
2008
modelling material. foil, wire, paint, cloth
265 x 190 x 140mm
(image courtesy of Anna Arca)
Traveller's Collection
2003
mixed media
910 x 1530 x 610mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)
Planets in the Detrimental Signs (detail)
2003
compasses, polymer, wood, paint, resin, copper, found table
(Jealous Saboteurs, MUMA, Melbourne, 2016)
McCahon, 3rd Day
1998
found glasses case, plaster, oil
55 x 145 x 85mm
Fancy Drinkers
2019
Vintage glass beads, bronze, fabric
225 x 130 x 100mm
Matisse Blue Hat
2015
Fabric, card
170 x 90 x 110mm
Installation view of various hats at Aotearoa Art Fair, 2021