......................................................................................................................................................................................................................
 Francis Upritchard,  Any Noise Annoys an Oyster  Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.  Photo by David Stjernholm.

Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.

 Francis Upritchard,  Any Noise Annoys an Oyster  Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.  Photo by David Stjernholm.

Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.

 Francis Upritchard,  Any Noise Annoys an Oyster  Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.  Photo by David Stjernholm.

Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.

 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

  Pet  2023 bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP 1272 x 398 x 486mm

Pet
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm

  Pet  (detail) 2023 bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP 1272 x 398 x 486mm

Pet (detail)
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm

  Sisyphus  2021 Balata rubber, stained wood 1750 x 650 x 490mm (figure) 4300 x 2350 x 200mm (macrocarpa slab)

Sisyphus
2021
Balata rubber, stained wood
1750 x 650 x 490mm (figure)
4300 x 2350 x 200mm (macrocarpa slab)

  Printer  2021 steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair 1400 x 310 x 310mm

Printer
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm

  Printer  (detail) 2021 steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair 1400 x 310 x 310mm

Printer (detail)
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm

  Atlas Holding the Universe on his Feet  2021 hand-blown glass with metal lustre 300 x 190 x 125mm

Atlas Holding the Universe on his Feet
2021
hand-blown glass with metal lustre
300 x 190 x 125mm

  Wallpaper Gloves  2021 leather, watercolour paint 136 x 57 x 45mm

Wallpaper Gloves
2021
leather, watercolour paint
136 x 57 x 45mm

 Installation view, Francis Upritchard -  A Loose Hold  Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022 Image: Angus Mill

Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill

 Installation view, Francis Upritchard -  A Loose Hold  Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022 Image: Angus Mill

Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill

 Installation view, Francis Upritchard -  Paper, Creature, Stone  Christchurch Art Gallery Te Puna o Waiwhetū, 2022

Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022

 Installation view, Francis Upritchard -  Paper, Creature, Stone  Christchurch Art Gallery Te Puna o Waiwhetū, 2022

Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022

 Installation view, Francis Upritchard -  Paper, Creature, Stone  Christchurch Art Gallery Te Puna o Waiwhetū, 2022

Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022

 Installation view, Francis Uprtichard -  Psychic Pusher  Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China, 2022

Installation view, Francis Uprtichard - Psychic Pusher
Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China, 2022

  Slow Move  2019 steel and foil armature, paint, modelling material, fabric, hair, bronze 1250 x 430 x 320mm

Slow Move
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm

  Slow Move  (detail) 2019 steel and foil armature, paint, modelling material, fabric, hair, bronze 1250 x 430 x 320mm

Slow Move (detail)
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm

  Forward Centaur  2019 Shibuichi (93% copper, 7% silver) 100 x 105 x 30mm

Forward Centaur
2019
Shibuichi (93% copper, 7% silver)
100 x 105 x 30mm

  Boo Centaur  2019 Shibuichi (93% copper, 7% silver) 120 x 75 x 25mm

Boo Centaur
2019
Shibuichi (93% copper, 7% silver)
120 x 75 x 25mm

  Jessie  2019 steel and foil armature, modelling material, fabric, paint 1170 x 480 x 230mm

Jessie
2019
steel and foil armature, modelling material, fabric, paint
1170 x 480 x 230mm

 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

  Good Morning Centaur  2019 wood-fired ceramic 150 x 190 x 90mm

Good Morning Centaur
2019
wood-fired ceramic
150 x 190 x 90mm

  Purple MG Jar  2019 wood-fired ceramic 280 x 165 x 165mm

Purple MG Jar
2019
wood-fired ceramic
280 x 165 x 165mm

  5 Prawns with Nicholas Brandon  2019 wood-fired ceramic 570 x 300 x 300mm   4 Crabs with Nicholas Brandon  2019 wood-fired ceramic 460 x 460 x 460mm   2 Crabs and Prawn with Nicholas Brandon  2019 wood-fired ceramic 470 x 460 x 460mm

5 Prawns with Nicholas Brandon
2019
wood-fired ceramic
570 x 300 x 300mm

4 Crabs with Nicholas Brandon
2019
wood-fired ceramic
460 x 460 x 460mm

2 Crabs and Prawn with Nicholas Brandon
2019
wood-fired ceramic
470 x 460 x 460mm

  Shibuichi Rodin Centaur  2019 Shibuichi (93% copper, 7% silver) 96 x 66 x 24mm

Shibuichi Rodin Centaur
2019
Shibuichi (93% copper, 7% silver)
96 x 66 x 24mm

  Shibuichi Centaur (Garnet at knees)  2019 Shibuichi (93% copper, 7% silver), rough garnet 66 x 52 x 25mm

Shibuichi Centaur (Garnet at knees)
2019
Shibuichi (93% copper, 7% silver), rough garnet
66 x 52 x 25mm

  Serious One  2018 steel and foil armature, modelling material, fabric, glass beads, paint 1250 x 300 x 230mm ( Wetwang Slack , Barbican, London, 2018)

Serious One
2018
steel and foil armature, modelling material, fabric, glass beads, paint
1250 x 300 x 230mm
(Wetwang Slack, Barbican, London, 2018)

  Wetwang Slack 2018  Barbican, London curated by Leila Hasham

Wetwang Slack
2018

Barbican, London
curated by Leila Hasham

  Wetwang Slack 2018  Barbican, London curated by Leila Hasham

Wetwang Slack
2018

Barbican, London
curated by Leila Hasham

  Fidget  2016 glass, fur, leather, buttons, fake pearls, plastic, modelling material 515 x 180 x 145mm   Squeaky  2016 glass, fur, leather, modelling material 510 x 150 x 150mm

Fidget
2016
glass, fur, leather, buttons, fake pearls, plastic, modelling material
515 x 180 x 145mm

Squeaky
2016
glass, fur, leather, modelling material
510 x 150 x 150mm

  Dark Resters  2015 ceramic, brass, atlantic stone, electrical components 910 x 1170 x 380 mm

Dark Resters
2015
ceramic, brass, atlantic stone, electrical components
910 x 1170 x 380 mm

  George Dunford  2015 paper mache, resin, modelling material, nylon, synthetic hair, synthetic teeth 180 x 185 x 250mm

George Dunford
2015
paper mache, resin, modelling material, nylon, synthetic hair, synthetic teeth
180 x 185 x 250mm

  Grab  2013 modelling material, foil, wire and paint 1660 x 720 x 400mm ( Jealous Saboteurs , MUMA, Melbourne, 2016)

Grab
2013
modelling material, foil, wire and paint
1660 x 720 x 400mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)

  Egypt Walk  2013 modelling material, paint, cloth and wire armature 1010 x 350 x 420mm  

Egypt Walk
2013
modelling material, paint, cloth and wire armature
1010 x 350 x 420mm
 

  Tall Lichen  2013 bronze, glass 300 x 290 x 160mm

Tall Lichen
2013
bronze, glass
300 x 290 x 160mm

  Land  2012 wardrobes, modelling material, watercolour 750 x 3540 x 1200mm ( Jealous Saboteurs , MUMA, Melbourne, 2016)

Land
2012
wardrobes, modelling material, watercolour
750 x 3540 x 1200mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)

  Sleeping Pterodactyl  2011 sculpy, foil, wire, paint, wood 460 x 180 x 150mm

Sleeping Pterodactyl
2011
sculpy, foil, wire, paint, wood
460 x 180 x 150mm

  Ninny  2011 modeling material, foil, wire, paint and cloth 990 x 280 x 280mm (stand 870mm high)

Ninny
2011
modeling material, foil, wire, paint and cloth
990 x 280 x 280mm (stand 870mm high)

  Yellow Dancer  2009 modelling material. foil, wire, paint, cloth 490 x 395 x 245mm (image courtesy of Anna Arca)

Yellow Dancer
2009
modelling material. foil, wire, paint, cloth
490 x 395 x 245mm
(image courtesy of Anna Arca)

  Pointer (Reacher)  2008 modelling material, steel, foil, paint 505 x 200 x 325mm (image courtesy Bryan James)

Pointer (Reacher)
2008
modelling material, steel, foil, paint
505 x 200 x 325mm
(image courtesy Bryan James)

  Richard  2008 modelling material. foil, wire, paint, cloth 265 x 190 x 140mm (image courtesy of Anna Arca)

Richard
2008
modelling material. foil, wire, paint, cloth
265 x 190 x 140mm
(image courtesy of Anna Arca)

  Traveller's Collection  2003 mixed media 910 x 1530 x 610mm ( Jealous Saboteurs , MUMA, Melbourne, 2016)

Traveller's Collection
2003
mixed media
910 x 1530 x 610mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)

  Planets in the Detrimental Signs  (detail) 2003 compasses, polymer, wood, paint, resin, copper, found table ( Jealous Saboteurs , MUMA, Melbourne, 2016)

Planets in the Detrimental Signs (detail)
2003
compasses, polymer, wood, paint, resin, copper, found table
(Jealous Saboteurs, MUMA, Melbourne, 2016)

  McCahon, 3rd Day  1998 found glasses case, plaster, oil 55 x 145 x 85mm

McCahon, 3rd Day
1998
found glasses case, plaster, oil
55 x 145 x 85mm

  Fancy Drinkers  2019 Vintage glass beads, bronze, fabric 225 x 130 x 100mm

Fancy Drinkers
2019
Vintage glass beads, bronze, fabric
225 x 130 x 100mm

  Matisse Blue Hat  2015 Fabric, card 170 x 90 x 110mm

Matisse Blue Hat
2015
Fabric, card
170 x 90 x 110mm

 Installation view of various hats at Aotearoa Art Fair, 2021

Installation view of various hats at Aotearoa Art Fair, 2021

Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.

Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.

Francis Upritchard, Any Noise Annoys an Oyster
Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.
Photo by David Stjernholm.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

Francis Upritchard, Dauwrauw | A bruegelian Landscape
Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024.
Photo by Michiel De Cleene.

Pet
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm

Pet (detail)
2023
bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP
1272 x 398 x 486mm

Sisyphus
2021
Balata rubber, stained wood
1750 x 650 x 490mm (figure)
4300 x 2350 x 200mm (macrocarpa slab)

Printer
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm

Printer (detail)
2021
steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair
1400 x 310 x 310mm

Atlas Holding the Universe on his Feet
2021
hand-blown glass with metal lustre
300 x 190 x 125mm

Wallpaper Gloves
2021
leather, watercolour paint
136 x 57 x 45mm

Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill

Installation view, Francis Upritchard - A Loose Hold
Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022
Image: Angus Mill

Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022

Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022

Installation view, Francis Upritchard - Paper, Creature, Stone
Christchurch Art Gallery Te Puna o Waiwhetū, 2022

Installation view, Francis Uprtichard - Psychic Pusher
Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China, 2022

Slow Move
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm

Slow Move (detail)
2019
steel and foil armature, paint, modelling material, fabric, hair, bronze
1250 x 430 x 320mm

Forward Centaur
2019
Shibuichi (93% copper, 7% silver)
100 x 105 x 30mm

Boo Centaur
2019
Shibuichi (93% copper, 7% silver)
120 x 75 x 25mm

Jessie
2019
steel and foil armature, modelling material, fabric, paint
1170 x 480 x 230mm

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

Exhibition view, Francis Upritchard — Big Fish Eat Little Fish
Museum Dhondt-Dhaenens, Deurle, Belgium, 2020
Image: Rik Vannevel

Good Morning Centaur
2019
wood-fired ceramic
150 x 190 x 90mm

Purple MG Jar
2019
wood-fired ceramic
280 x 165 x 165mm

5 Prawns with Nicholas Brandon
2019
wood-fired ceramic
570 x 300 x 300mm

4 Crabs with Nicholas Brandon
2019
wood-fired ceramic
460 x 460 x 460mm

2 Crabs and Prawn with Nicholas Brandon
2019
wood-fired ceramic
470 x 460 x 460mm

Shibuichi Rodin Centaur
2019
Shibuichi (93% copper, 7% silver)
96 x 66 x 24mm

Shibuichi Centaur (Garnet at knees)
2019
Shibuichi (93% copper, 7% silver), rough garnet
66 x 52 x 25mm

Serious One
2018
steel and foil armature, modelling material, fabric, glass beads, paint
1250 x 300 x 230mm
(Wetwang Slack, Barbican, London, 2018)

Wetwang Slack
2018

Barbican, London
curated by Leila Hasham

Wetwang Slack
2018

Barbican, London
curated by Leila Hasham

Fidget
2016
glass, fur, leather, buttons, fake pearls, plastic, modelling material
515 x 180 x 145mm

Squeaky
2016
glass, fur, leather, modelling material
510 x 150 x 150mm

Dark Resters
2015
ceramic, brass, atlantic stone, electrical components
910 x 1170 x 380 mm

George Dunford
2015
paper mache, resin, modelling material, nylon, synthetic hair, synthetic teeth
180 x 185 x 250mm

Grab
2013
modelling material, foil, wire and paint
1660 x 720 x 400mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)

Egypt Walk
2013
modelling material, paint, cloth and wire armature
1010 x 350 x 420mm
 

Tall Lichen
2013
bronze, glass
300 x 290 x 160mm

Land
2012
wardrobes, modelling material, watercolour
750 x 3540 x 1200mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)

Sleeping Pterodactyl
2011
sculpy, foil, wire, paint, wood
460 x 180 x 150mm

Ninny
2011
modeling material, foil, wire, paint and cloth
990 x 280 x 280mm (stand 870mm high)

Yellow Dancer
2009
modelling material. foil, wire, paint, cloth
490 x 395 x 245mm
(image courtesy of Anna Arca)

Pointer (Reacher)
2008
modelling material, steel, foil, paint
505 x 200 x 325mm
(image courtesy Bryan James)

Richard
2008
modelling material. foil, wire, paint, cloth
265 x 190 x 140mm
(image courtesy of Anna Arca)

Traveller's Collection
2003
mixed media
910 x 1530 x 610mm
(Jealous Saboteurs, MUMA, Melbourne, 2016)

Planets in the Detrimental Signs (detail)
2003
compasses, polymer, wood, paint, resin, copper, found table
(Jealous Saboteurs, MUMA, Melbourne, 2016)

McCahon, 3rd Day
1998
found glasses case, plaster, oil
55 x 145 x 85mm

Fancy Drinkers
2019
Vintage glass beads, bronze, fabric
225 x 130 x 100mm

Matisse Blue Hat
2015
Fabric, card
170 x 90 x 110mm

Installation view of various hats at Aotearoa Art Fair, 2021

 Francis Upritchard,  Any Noise Annoys an Oyster  Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.  Photo by David Stjernholm.
 Francis Upritchard,  Any Noise Annoys an Oyster  Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.  Photo by David Stjernholm.
 Francis Upritchard,  Any Noise Annoys an Oyster  Installation view from the exhibition at Kunsthal Charlottenborg, Copenhagen 2024.  Photo by David Stjernholm.
 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.
 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.
 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.
 Francis Upritchard,  Dauwrauw  |  A bruegelian Landscape  Installation view from the exhibition at Castle estate Marnis de Sainte Aldegegonde, Bornem, 2024. Photo by Michiel De Cleene.
  Pet  2023 bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP 1272 x 398 x 486mm
  Pet  (detail) 2023 bronze, patina potassium sulphate and zinc oxide, edition of 3 + 1 AP 1272 x 398 x 486mm
  Sisyphus  2021 Balata rubber, stained wood 1750 x 650 x 490mm (figure) 4300 x 2350 x 200mm (macrocarpa slab)
  Printer  2021 steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair 1400 x 310 x 310mm
  Printer  (detail) 2021 steel and foil armature, paint, modelling material, fabric, metal, felt, kangaroo hide, hair 1400 x 310 x 310mm
  Atlas Holding the Universe on his Feet  2021 hand-blown glass with metal lustre 300 x 190 x 125mm
  Wallpaper Gloves  2021 leather, watercolour paint 136 x 57 x 45mm
 Installation view, Francis Upritchard -  A Loose Hold  Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022 Image: Angus Mill
 Installation view, Francis Upritchard -  A Loose Hold  Kunsthaus Pasquart, Biel/Bienne, Switzerland, 2022 Image: Angus Mill
 Installation view, Francis Upritchard -  Paper, Creature, Stone  Christchurch Art Gallery Te Puna o Waiwhetū, 2022
 Installation view, Francis Upritchard -  Paper, Creature, Stone  Christchurch Art Gallery Te Puna o Waiwhetū, 2022
 Installation view, Francis Upritchard -  Paper, Creature, Stone  Christchurch Art Gallery Te Puna o Waiwhetū, 2022
 Installation view, Francis Uprtichard -  Psychic Pusher  Guangzhou Triennial, Guangdong Museum of Art, Guangzhou, China, 2022
  Slow Move  2019 steel and foil armature, paint, modelling material, fabric, hair, bronze 1250 x 430 x 320mm
  Slow Move  (detail) 2019 steel and foil armature, paint, modelling material, fabric, hair, bronze 1250 x 430 x 320mm
  Forward Centaur  2019 Shibuichi (93% copper, 7% silver) 100 x 105 x 30mm
  Boo Centaur  2019 Shibuichi (93% copper, 7% silver) 120 x 75 x 25mm
  Jessie  2019 steel and foil armature, modelling material, fabric, paint 1170 x 480 x 230mm
 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel
 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel
 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel
 Exhibition view,  Francis Upritchard — Big Fish Eat Little Fish  Museum Dhondt-Dhaenens, Deurle, Belgium, 2020 Image: Rik Vannevel
  Good Morning Centaur  2019 wood-fired ceramic 150 x 190 x 90mm
  Purple MG Jar  2019 wood-fired ceramic 280 x 165 x 165mm
  5 Prawns with Nicholas Brandon  2019 wood-fired ceramic 570 x 300 x 300mm   4 Crabs with Nicholas Brandon  2019 wood-fired ceramic 460 x 460 x 460mm   2 Crabs and Prawn with Nicholas Brandon  2019 wood-fired ceramic 470 x 460 x 460mm
  Shibuichi Rodin Centaur  2019 Shibuichi (93% copper, 7% silver) 96 x 66 x 24mm
  Shibuichi Centaur (Garnet at knees)  2019 Shibuichi (93% copper, 7% silver), rough garnet 66 x 52 x 25mm
  Serious One  2018 steel and foil armature, modelling material, fabric, glass beads, paint 1250 x 300 x 230mm ( Wetwang Slack , Barbican, London, 2018)
  Wetwang Slack 2018  Barbican, London curated by Leila Hasham
  Wetwang Slack 2018  Barbican, London curated by Leila Hasham
  Fidget  2016 glass, fur, leather, buttons, fake pearls, plastic, modelling material 515 x 180 x 145mm   Squeaky  2016 glass, fur, leather, modelling material 510 x 150 x 150mm
  Dark Resters  2015 ceramic, brass, atlantic stone, electrical components 910 x 1170 x 380 mm
  George Dunford  2015 paper mache, resin, modelling material, nylon, synthetic hair, synthetic teeth 180 x 185 x 250mm
  Grab  2013 modelling material, foil, wire and paint 1660 x 720 x 400mm ( Jealous Saboteurs , MUMA, Melbourne, 2016)
  Egypt Walk  2013 modelling material, paint, cloth and wire armature 1010 x 350 x 420mm  
  Tall Lichen  2013 bronze, glass 300 x 290 x 160mm
  Land  2012 wardrobes, modelling material, watercolour 750 x 3540 x 1200mm ( Jealous Saboteurs , MUMA, Melbourne, 2016)
  Sleeping Pterodactyl  2011 sculpy, foil, wire, paint, wood 460 x 180 x 150mm
  Ninny  2011 modeling material, foil, wire, paint and cloth 990 x 280 x 280mm (stand 870mm high)
  Yellow Dancer  2009 modelling material. foil, wire, paint, cloth 490 x 395 x 245mm (image courtesy of Anna Arca)
  Pointer (Reacher)  2008 modelling material, steel, foil, paint 505 x 200 x 325mm (image courtesy Bryan James)
  Richard  2008 modelling material. foil, wire, paint, cloth 265 x 190 x 140mm (image courtesy of Anna Arca)
  Traveller's Collection  2003 mixed media 910 x 1530 x 610mm ( Jealous Saboteurs , MUMA, Melbourne, 2016)
  Planets in the Detrimental Signs  (detail) 2003 compasses, polymer, wood, paint, resin, copper, found table ( Jealous Saboteurs , MUMA, Melbourne, 2016)
  McCahon, 3rd Day  1998 found glasses case, plaster, oil 55 x 145 x 85mm
  Fancy Drinkers  2019 Vintage glass beads, bronze, fabric 225 x 130 x 100mm
  Matisse Blue Hat  2015 Fabric, card 170 x 90 x 110mm
 Installation view of various hats at Aotearoa Art Fair, 2021